Here are some examples of the contents:
On the theme of gothic architexture as vertical 'tree'-like structures
Photographs and colour mixing tests
Preparation for the spring-inspired tapestry piece, photographs and colour mixing
A couple of scribbled flowers
Another page of the book looking at trees growing in a churchyard
I have quite liked working in the book, and will probably continue having a theme book running alongside my other workbooks. The tree theme has not yet been exhausted and there is plenty more to do on it. However I am running out of time on this project so will be submitting a book that has not yet been fully filled.
The 3rd and final piece I am developing as part of assignment 5 is the book cover for the theme book. This is not really the final piece, but more an addition to the theme book. I have used some phorographs from a beech wood, and a sketch I drew up based on one of these:
And here is the project in progress; I have been laying out strips of opaque fabric over some transparent, shiny organza, laid onto a dyed blue base fabric:
I sewed some suggestions of leaves onto the base and have placed the brown 'trunks' over them. I am planning more of these leaf suggestions, however first I need to do something about the trunks, which have only just been attached using automatic stitching from my machine:
So, this is clearly work in progress, and needs a lot more work to it, I am just hoping that I get it done in time - my course is coming to and end in February! You can see some cotton base fabrics, a bit of furnishing fabric (tree trunks) and organza to reflect light. Hopefully this enables some subtle contrasts in matt and shiny to lie close together to add interest to the surface.
I am reasonably satisfied with the final book cover. It fits well, the embroidery is not too thick and its looks good enough:
In sewing the 'tree' elements and 'leaf' details the fabric pulled together in places. I had ironed on some vilene on the back, but did not use a frame and so there was a bit of unintentional 'pleating'. However in the end these creases along the width of the piece have worked well, as they add to the texture, add some shadow effects and three-dimensionality to the surface. As the thing scrunched up I had to attach a 'frame to add to the size of it, and used some dyed cotton in a colour I hadn't really liked. The brown fits in with the tree theme, so that also has worked reasonably.
I used a lot of different green coloured threads (8 or more) and a slightly lower number of browns and green for the tree trunks (6 or a few more), a couple of areas had loose silk and other threads scattered and attached with stitchery to suggest more dense foliage. I like the idea of using the stitching both as line and as mass colouring and I used this across the applied fabrics. The pictures don't show the work off properly, it looks pale in the bright light, but is actually quite rich and glowing from the colours and organzas.
I have submitted the work now, two days before the deadline for final submission of the whole course, and thin the book cover probably took a bit longer to make than I expected.
The cover folded over the book is held together by two strands of machine stitched cord. Closed together like this the tree theme is obscurred a bit by the framing fabric. I still think the verticality of the trunk theme continues though.